I do kind of remember that leasing scenario with Selectrics. I've seen a couple at Salvation Army in recent months.
In Typing 1 back in 1968 we had Underwoods with blank keys. I didn't like them. The key travel was ridiculously huge, even for a beginner. There were some Remingtons in the room as well and they had a much better feel to them. I switched over to one of those as soon as possible.
My WPM were the reverse of Charlie's. I barely got to 60 WPM with typing, and once hit 90 WPM with shorthand. I can type a lot faster now in the days of keyboarding, and used to have people in other cubicles remark about how fast they could hear me typing. It's just me being more reckless, knowing I can backspace away any mistakes.
Stenography is as much to me a lost art as it is a dead skill, and every once in a while I'll write something out for a friend, like their name, and they'll just have this baffled look on their face, even after you spell/sound it out for them.
In Typing 1 back in 1968 we had Underwoods with blank keys. I didn't like them. The key travel was ridiculously huge, even for a beginner. There were some Remingtons in the room as well and they had a much better feel to them. I switched over to one of those as soon as possible.
My WPM were the reverse of Charlie's. I barely got to 60 WPM with typing, and once hit 90 WPM with shorthand. I can type a lot faster now in the days of keyboarding, and used to have people in other cubicles remark about how fast they could hear me typing. It's just me being more reckless, knowing I can backspace away any mistakes.
Stenography is as much to me a lost art as it is a dead skill, and every once in a while I'll write something out for a friend, like their name, and they'll just have this baffled look on their face, even after you spell/sound it out for them.