"Final Arrangements" For Your Collection

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launderess

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Quiet Please, There´s a Lady on Stage
Don't know if this is proper section, but here goes.

Have any members given thought was to what will happen with their collections when they've "gone" as it were?

Many of us (oneself included) have quite a lot of vintage and other appliance of all sorts, tools, detergent/laundry products/cleaners, etc... that all will need to be some how found new homes.

Where will it all go and how?

This comes to me after scouring various auctions lately on HBID and other places especially of estates.
 
I’m “only” 37 and I’m sure there are other members in their 40s and under ( not sure exactly how old you are as you’re contemplating such things). I’m slowly restoring my 1904 craftsman and since modern appliances didn’t generally exist prewar I’ve settled on 40s and 50s appliances (and some early to mid 60s) as being the pinnacle of quality, modern functionality, and design aesthetic. I took the same approach with my cars - figured a 190X wouldn’t get me too far so I went with a 50s Crown Victoria as the compromise to myself lol 🤪
 
Well since one did ask....

Suppose at some point in near future things will start beginning to go.

Low hanging fruit first, things like vacuum cleaners (have a Hoover that's just sitting around gathering dust), various vintage detergents and soaps. Those sort of things.

Big Bertha (my Miele W10170) seems intent on outliving one, the machine just keeps tottering on.

Thinking about is just all too exhausting. Few friends have sat down with attorneys and done the business. Prepaid for their final arrangements, had will drawn up so their final wishes regarding disposal of estate.

Interesting thing that many of items we collected over years outlived their original owners; now they will outlive us as well. Am sure this fits somewhere in cosmic circle of things.
 
It has been deeded and notarized that my Hubby, Chris, will pre-decease me ONLY so that he won't have to deal with my "collections"... LOL

 

There are ranges, refrigerators, TV and Hi-Fi consoles, dozens of washers, dryers, and dishwashers, hundreds of small appliances, several hundred LPs, 45s and 78s, but only 1 (well, might be 2 soon) vintage automobiles....  Then there's the Pyrex, Corningware, glassware, dishes and furniture.   It would make for one HELL of an estate sale but where we live, no one would be interested.  

 

Seriously there have been discussions with the "next generation" of collectors and I have left instructions as to who gets what with the person whom I have burdened with settling my estate.  

 

Of course I may just wind up living to some ripe old age and the collection will be wound down more gradually, but one needs to be prepared.  
 
My sister has worriedly mentioned all of my merchandise. I was hit with a disappointment earlier this year when I read that the Museum at Johnson and Wales University had stopped collecting and is closing to the public.

PROVIDENCE, R.I. -- A city treasure is going behind closed doors.

The Culinary Arts Museum at Johnson & Wales University will be closed permanently to the public as of Feb. 27, the school said in a media advisory. The space on Harborside Boulevard will be for university use only at the conclusion of the winter term in February.

The museum opened in 1989, and its holdings include more than 200,000 pieces.

The artifacts, and the stories of the menus, machines and memorabilia from restaurants and homes, were special things that brought long-gone experiences alive for visitors. It was one of the nation’s only museums of its kind.

It will merge with the university’s libraries and continue to be a resource for JWU students, faculty and staff. Since 2014, the museum has hosted a Teaching Lab, a learning area for student and faculty scholarship with a hands-on experience that connects the culinary arts with other academic disciplines.

"Our curriculum has moved toward more collaborative learning, so we need spaces on campuses where our students can come together to work in teams," Lisa Pelosi, vice president of Communications & Government Relations. "We have been encouraging our students to come to the museum as a place to meet and study."

"For now, the museum space will remain as is," she said.

In 2012, the university began a strategic plan that would chart a path for the future. When Richard J.S. Gutman’s tenure as director at the museum was ended last summer, the writing seemed to be on the wall for changes.

Martha Sheridan, president and CEO of the Providence Warwick Convention and Visitors Bureau, was on a JWU committee that advocated expanding the museum to a downtown location.

“It’s an incredible asset and attraction no other city can claim,” she said in September, after Gutman's departure. “I can’t help wondering what’s next for this treasure.”

The university is continuing its effort to digitize the museum’s holdings for research and viewing online at http://www.culinary.org/Collections/.

I have sought out MIB items for my collection so that I could donate them to this museum and now that is not a viable plan. What a world, what a world.
 
Well someone needs to pay off the debt for what these artifacts have cost me over several, if not dozens of years—collecting in my many phases: Pat Boone, Bobby Goldsboro, Ben McPeek, Gene MacLelan, and Lenny Dee, getting just about everything or nearly almost everything by the above…

Really, I would have liked Pat Boone and a couple of his accomplices to come over and take a few of his things while, really, everyone can contribute to my burial and take whatever items like hard copy media, my favorite lamp and even my stereo rig…

And just make me a tombstone with just my picture on it…

There! Simple as can be!

And Norman Greenbaum right after that last shovel of dirt as placed upon me…

— Dave

 
FINAL ARRANGEMENTS

ALL OF MY FINAL ARRANGEMENTS HAVE BEEN MADE AND PAID FOR ALONG WITH MY WILL.
MY EXECUTOR IS A PERSONAL FRIEND AND ALSO ONE OF OUR MEMBERS HERE IN THE CLUB.
HE IS AWARE OF MY WISHES AND WILL CARRY THEM OUT. IT GIVES PEACE OF MIND TO KNOW THAT IT IS ALL TAKEN CARE OF - OTHERWISE IT LEAVES EVERYTHING AND EVERYONE IN TOTAL
UNCERTAINITY.

BOB
 
Personally,

I would want my machines to go to someone who would use and enjoy them, and that preferably is as meticulous about keeping them in good, working order as I am. They have brought me so much joy, and I would like for them to continue that legacy.
Thatwasherguy.
 
Dave, how do you like your

Audio Technica LP120 long term? I got one in March for my birthday. So far so good.
I want to upgrade the cartridge to the AT VM95ML, or the VM540ML. I wish a tonearm end of record lift would fit it, but there is no room between the platter and tonearm area where it would mount.
I usually use it and my 1978 Technics SL220 belt drive on my 1979 KLH research 10 CL5 speakers which are in the front room away from feedback issues.
As for my estate of audio, model RR and trains, Charity, and or let relatives, ans friends take what they want, and let them have an estate sale.
 
VACAERATOR:

 

I'd had that Audio Technica since 2018, and I'd replaced the needle both in 2020, nd last year in 2022, vowing to do my needle change every 2-years as recommended as I can't keep track of every 3,000 records... (lol)

 

The needle has to be manually lifted at the end, it is a direct drive so I have to try not to bump against the table it sits on and watch the activity underneath especially with the CD changer directly under it (which got given away by the house across the street and got brought in--in fact, rescued!--before a coming heavy rain storm!)...

 

Record players or Phonos (I hate people calling these things Turntables!--yes that's the part the record plays on, not the PLAYER itself!) I have had in the past, were  a used Marantz, and a newly-purchased Technics, both semi-auto and another used fully-automatic Technics that this replaced...

 

Only disappointment right now is the night light burned out--so it may have to be disconnected and taken to where I replace the needle for just for that, either soon, or I can exist without it and get it replaced when I do the needle replacement for it next year...

 

The design has remained completely unchanged except for the USB port and a switch in the back for regular use and USB function (of which that first time I took my player for the new needle it accidentally got flipped so my sound didn't come out, until I took it back and the guy who fixes, found that out (yes what's the Eureka I asked when he diagnosed what was wrong)...

 

 

 

-- Dave

 
 
Well it looks pretty neat over here, I got rid of bad copies and stuff I don’t like and/or don’t listen to that no one else wants and have implemented storage for almost everything but still an excess and surplus amount of items needs to fit in a rack or on a shelf…

A number of LP’s I put in boxes and have still a lot of CD’s I didn’t want to give away and may change my mind about reinstating in my collection and with the way I put them all in those thin cases to save space and double my collection it’s hard to sell or trade them when I remove the side labels and can’t be identified from the side of the case but if they’re sold front-facing it’s easy to there—not everybody does…

Sadly I got rid of a lot of ‘45’s without giving similar forethought and found a couple I wish I’d sold or tried to in the keepers, so one got given away while the other which still lingered had been discarded after enjoying the fun of smashing…

There was even a copy of something on Japanese red vinyl I could have kept but settled for my American black vinyl of instead, as I’d only desired one copy due to what’s still sheer lack of space and the need for those quality sleeves and the latter played better anyway…

— Dave
 
Nice Dave!

You can replace the cueing lamp. On the new ones it only plugs in like a headphone anyhow. I find it mainly a gimmick.
Oak Park has a record shop, as does Ferndale and or Royal Oak. There is also Village vynil in Warren, which is great! Everything is in their computer inventory.
I got a Queen greatest hits II brand new, digitally remastered at half spped by Abbey road, a Dark side of the moon, ans Original Thriller in excellent shape, and a Saturday night fever.
 
Dave, also

I am using the internal pre-amp because my Technics SL220 is connected to the phono input on my Sony amp. It's a separate component 135 watts per channel with integrated amp. Separate equalizer and tuner. When I switch the power on on the lp120 phono "deck", there is a buzz especially noticable with headphones. It's connected to the tape input. There is no auxiliary input, only video.
I'm considering an external phono preamp. It sounds great now, but I want cleaner power. Some people gut the preamp on these, claiming it suppresses some mid and treble when off.
 

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