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Even less professional... ok... a little trashy, isn't it?

*quotes* Homes Simpson: "Uhhhhh beeeeerrrr..."

10-20-2007-06-18-7--dj-gabriele.jpg
 
Rickr, judging by your work ID photo,

I'm guessing you work in the engine room on the USS Enterprise?

Wherever it is, it looks like it's 60s futuristic, in contrast to Gabriele's 80s futuristic workplace.

And your babies are beautiful, Pete. Too much work for me, though. I'll stick with Samoyeds. They're happy to lay around and nap most of the time.

Keep the Fall Pix coming, everyone!

-kevin
 
Not the enterprise, but......

Hi Kevin, I work for a company that mamufactures and distributes theatrical lighting and accessories. The colours behind my face are one of the many effects we sell. <:
 
Nice photos .

Some handsome Gents on here.
Heres one of me doing some Gospel magic for childerns time at our Church

10-23-2007-09-50-37--gocartwasher.jpg
 
Bob at the Byrd

Here's a shot of me taken last Saturday inside the Byrd Theater in Richmond.

Behind me is the console of the Wurlitzer organ, which is the reason I make the trip.

Bob

10-23-2007-13-36-39--bundtboy.jpg
 
"I work for a company that mamufactures and distributes theatrical lighting and accessories. The colours behind my face are one of the many effects we sell. <:"

What a cool job! When I was a kid, stage lighting and control boards was another of my many interests. I got involved in the Drama Club at school where the 1930s auditorium had an amazing, antiquated lighting system! There were permanent footlights that folded up out of the stage floor, 3 sets of border lights with red, green, blue and yellow glass lenses, a dozen 10" Fresnels in the stage ceiling, a dozen 12" Plano-Convex spots up in the auditorium ceiling (where you had to scamper along wooden catwalks above the plaster-and-chicken-wire ceiling to get to - one false step and you're down thru the ceiling -- scary!), then a half-dozen or so floor pockets for connecting huge metal trapezoid-shaped flood lights. This was all connected permanently to a gigantic wood and cast-iron resistance dimmer board in the stage-right wings. The emormous resistance plates were way up in the ceiling, connected by metal rods and pulleys to a 3-row rack of long iron handles down at floor level. Each row had a master handle, then there was a "master master" handle that was about 5 feet long, and it literally took two people to move it when all the banks of dimmers were connected to it! And Oh My lord the HEAT that that thing generated! It was WILD!!

I also got involved in local community theater groups, both of which had more modern, but rather rudimentary, lighting systems. I learned from the lighting director at one of the theatres how to make spot and flood lights out of PAR lamps and coffee cans!

As a vestige of that interest, I have a dozen or so Fresnels, Lekos, Plano-convex'es, and flood scoops in the ceiling of my garage workshop, connected to a plate-style resistance dimmer that I salvaged from my former church.

10-23-2007-15-20-4--maggie~hamilton.jpg
 
Here's one for you Maggie.....

Cool vintage lights! They do get hot don't they?? <:

We now make an attachment that makes it possible to automate any Source Four type unit. I think even some of your vintage lights could be automated. (with a control board)

10-24-2007-12-04-38--rickr.jpg
 
okay...ya talked me into it...

I don't have a pic of yours truly playin' the bongos, but one will show up shortly!

Enjoy!

10-25-2007-23-37-33--bongobro.jpg
 
The automated lights are cool, but nowhere nearly as fun as crawling about on a catwalk 60 ft. above floor level to swap out gels!!

Great photo!!

And yes, the lights do get hot but I was talking about the antiquated resistance dimmer board -- dimming on those huge monsters was achieved by decreasing the current available to the load by introducing a variable resistance between supply and load. The excess current is converted into heat. When you had the entire bank on "low dim" position the heat was nearly unbearable up there above the stage!

The photo below shows the type of dimmer console my school had, except that the rheostat plates, instead of being directly connected to the control handles, were above the control board abot 10 ft. and connected to the levers with long steel trackers. It really was an amazing contraption!

(To give a size reference -- the dimmer board illustrated would have been about 7 ft. tall and 12 ft. wide!!)

10-26-2007-01-43-12--maggie~hamilton.jpg
 
The kleigal Bros resistence dimmer banks are interesting-now they have been replaced by solid state and autotransformer dimmers that take much less space and weight-and produce far less heat.Then translates to lower AC costs.In winter-in a cold area-the heat from those resistor dimmers would be welcome!I rember modern Kleigal solid state banks in a TV station studios.Was a 100Kw unit and it proiduced very little heat.The largest solid state dimmer bank in it could handle 10Kw.What was the largest lamp the resitor dimmer could handle?OOps-answered my own question-looked on Maggie Hamiltons dimmer info-14Kw.For today you would probably use an autotransformer or a saturable core reactor dimmer for a load that large.The transfroemr or saturable core reactor dimmer would be more efficient.Stage lighting equipment is interesting-dealt with a few used in TV stations.also that TV station had some arc lamp power suupplies whose AC is refrenced to the stations sync generator-no flicker from the lights on TV!
 

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