"I work for a company that mamufactures and distributes theatrical lighting and accessories. The colours behind my face are one of the many effects we sell. <:"
What a cool job! When I was a kid, stage lighting and control boards was another of my many interests. I got involved in the Drama Club at school where the 1930s auditorium had an amazing, antiquated lighting system! There were permanent footlights that folded up out of the stage floor, 3 sets of border lights with red, green, blue and yellow glass lenses, a dozen 10" Fresnels in the stage ceiling, a dozen 12" Plano-Convex spots up in the auditorium ceiling (where you had to scamper along wooden catwalks above the plaster-and-chicken-wire ceiling to get to - one false step and you're down thru the ceiling -- scary!), then a half-dozen or so floor pockets for connecting huge metal trapezoid-shaped flood lights. This was all connected permanently to a gigantic wood and cast-iron resistance dimmer board in the stage-right wings. The emormous resistance plates were way up in the ceiling, connected by metal rods and pulleys to a 3-row rack of long iron handles down at floor level. Each row had a master handle, then there was a "master master" handle that was about 5 feet long, and it literally took two people to move it when all the banks of dimmers were connected to it! And Oh My lord the HEAT that that thing generated! It was WILD!!
I also got involved in local community theater groups, both of which had more modern, but rather rudimentary, lighting systems. I learned from the lighting director at one of the theatres how to make spot and flood lights out of PAR lamps and coffee cans!
As a vestige of that interest, I have a dozen or so Fresnels, Lekos, Plano-convex'es, and flood scoops in the ceiling of my garage workshop, connected to a plate-style resistance dimmer that I salvaged from my former church.
