It's 1956 and you want a color TV

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"The world is a carousel of color,
History,tragedy, comedy.
There's drama and mirth,
and old Mother Earth,
and all of her creatures to see.
The miracle of imagination,
...
(The NBC color TV song)
 
Disney song

It certainly was from the show,before that it was just called Disneyland,they went to color after the switch to NBC.I dont recall many color shows on ABC where they started in late54.My uncle had a 1959 color set and NBC was the basic color station,Dinah Shore was called the first lady of color.
 
Mike:

" I guess I can see why there was resistance in the early days. Still it must have been exciting to see those shows in color. We didn't get color till 67..."

You got colour when most people did. In '65, two major advances occurred that made colour more practical in the eyes of most consumers. For one, the rectangular colour CRT ("picture tube") was made practical for mass production. For another, the electron guns were made more stable in alignment, cutting way down on convergence problems. After the late '60s, I can't ever remember seeing a TV with convergence issues like the old sets had.

Also, RCA, which owned NBC at the time, did a boatload of print advertising in the 1964-65 time frame promoting NBC shows on RCA TV sets. You'd see the new Radnor colour tabletop set with a scene from NBC's Bonanza on its screen, that sort of thing. Some ads showed part of the scene in black-and-white, and part in colour, to really play up the contrast. Before then, ads had primarily shown sets with models on the screen, not actual stars of network shows. It made all the difference; people suddenly understood that the experience of seeing their favourite shows was different on a colour set. Here's an RCA ad with the Bonanza guys; it's from '64, the year before picture tubes went rectangular:

1-20-2009-22-43-32--danemodsandy.jpg
 
Thank you Toggle! :)

Hi Dan! It seems almost like a whole other lifetime now, but that atrium scenario does kind of ring a bell! Sadly one of the few remaining glimpses of the Southdale of old today aside from the original Dayton's exterior I spoke of is the clock on the 2nd floor mall wall, which originally was right outside the Dayton's entrance.

We got our first color set in about 1966 or 67. It was a Magnavox and I could not tell you the screen size. It was in a cabinet on legs, and it had rollaway doors that closed over it when not in use. A few years later, maybe about 1970, we got a "portable" (talk about an oxymoron!) 19" I think RCA set for the family room.

We had the Magnavox for probably 15 years and the RCA about 13, and yes, both sets were purchased at Dayton's, as was their predecessor RCA b/w set, which lived on many years thereafter in the kitchen (that one needed a few new tubes over the years and I remember going with my father to the drug store and using the tube tester!). I think the Maganavox was in the neighborhood of $700, the RCA I want to say between $4 and 500.

I don't think we ever had a service call with the RCA; the Magnavox had more than a few first year adjustments (including one time I recall when they took the insides out to the shop and left the cabinet!) but after that it worked pretty well, although we all thought the RCA had a better picture and better color overall.

Funny to think of how different tvs were then, when I look at my flat 32" Sony in front of me now. I didn't pay much less for my first 13" Magnavox non-remote bedroom tv in 1983 as I did for this Sony! Later that same year the RCA was replaced with a JCPenney set (which I think actually was an RCA) of similar size, our very first remote control TV. We got it there because I was working there part time and it was on sale. I think it came to about $360 after discounts and all. It too was a nice TV. The Magnavox, our one and only console tv, was never replaced since we'd fallen out of using the living room except for company, we always watched in the family room. Being it closed up, it actually lived in the living room for a few more years as "furniture" even after it no longer worked that well anymore.
 
We got our first color set in 1974. A SONY trinitron. 19" I nearly fainted that we went name-brand.

Dad even splurged of a chimney-top antenna! *LOL* !

Of course this meant that the old black & white set moved to his man-cave in the boiler room! Hockey games were on constantly.
 
Our first color set was won in a Lions Club raffle

It was 1967 and I was in sixth grade. My father and I had gone to a hockey game (San Diego Gulls, minor league team in the Pacific Coast league). During our absence, someone from the Lions Club called my mom to inform her that we had won the grand prize in the Lions Club raffle, for which my father had (as a nominal member) dutifully purchased $20 in tickets.

She drove over to pick it up from the appliance dealer who donated it, and they loaded it into the car for her. When we came home, she said "we won a color tv and it's in the station wagon, why don't you bring it inside?" and of course we thought she was joking.

It was a GE 19 inch table top model with a cart. Although we had coax cable, making the portability of the tv a nonissue, the cart still functioned as a free matching stand, and there was a shelf underneath to store books and magazines. The existing tv was a b&w Zenith which fit in a built in bookcase in the wall....the new set was too large to fit in the bookcase, so the cart was a nice addition.

Until then, the very first time I ever saw color tv in operation was at a hotel lobby in Sun City, CA en route to Palm Springs. I had a relative in LA with a broken color tv but never saw it work. Within a year or two, a family around the corner, who were more affluent than my family, had a Zenith tv with legs in the parents' bedroom, so very occasionally I saw a color program there.

Color programming was more limited until the 1960s. It cost more to produce a program in color, so sponsors didn't want to pony up the extra money unless there were enough homes watching the enhanced picture. In some cases, the decision of which channel to view at a given hour was influenced by whether or not the program was shown in color. Some of the networks, ABC in particular, did not fully convert prime time shows to color until c. 1967. This explains why episodes such as "Bewitched" are B&W in earlier seasons and then switch to color. "Donna Reed", which ended in 1966, remained B&W to the end. Some shows such as "The Lucy Show" were filmed in color but originally broadcast in B&W, probably because they realized the residual fees for reruns would eventually justify the added cost in the future when more homes had color.

The first color tv that we PURCHASED was a 19 inch Hitachi table top unit, to replace the dead GE set, in 1972. About 350 dollars, and now prices were dropping quickly, and at this point color tv was now in more than 50% of US homes. Even so, when I bought my first personal tv set in grad school, color was still priced over $200 and out of reach for me at the time, so I bought a 13" B&W for $59 on sale at a discount house. A good portable 13" Mitsubishi color set, which my parents bought for the guest bedroom, would have cost close to $300 c. 1980.

The Hitachi died after 16-17 years faithful service. My parents assigned me the task of buying a replacement (they paid for it but I had to do the research and legwork) and we bought a 19" tabletop Mitsubishi for $500. The quality was so superior to the old Mitsubishi that my parents never questioned the added expense. This set slogged on to the mid 1990s, when it was replaced by a 25" Magnavox. It still works fine but my parents are now itching to move on to the HD era.
 
ps

The famous NBC peacock served to alert viewers if the following program was in color or not. A top rated show like Bonanza was an early convert to color, but not all prime time shows were in color in the early 1960s. This alert reduced the volume of calls to the station by people who were only pulling in a B&W picture. If you didn't see the peacock, it wasn't going to be in color.

I remember that with each showing of Wizard of Oz, the host would have to remind the audience that the film did not switch to color until Dorothy lands in Oz. Again, they would be deluged with calls from viewers who couldn't see any color early on. See the following link:



 
But this one was my favorite... CBS!

ABC usually had the stars of the upcoming show telling you something the show was in color. For example, Elizibeth Montgomery would come on and say something like "Stay tuned for Bewitched, next in color".

 
Yep, I remember the star of the program, such as Elizabeth Montgomery, asking you to stay tuned (i.e. don't change the channel) to watch "(name of CBS program), next, in color." Montgomery had spent part of childhood in New York and it showed in that recording, it sounded like "next, in cuh-luh" to my ear.
 
I don't remember the black and white peacock turning to color, only the version that began with a color kaleidoscope coalescing to a peacock.

I have seen the old NBC chimes clip on documentaries, but it was out of use long before I can remember. There was a color version of it, each of the chimes was a primary tv color of red, green, or blue.

 
Actually, it was ABC that had the star announcing the show. But I am sure it was just a slip of the fingers for you (:->!
ABC also had another color logo too.... but it wasn't seen too often, I think it was used mainly for special presentations and sporting events.

 
I've mentioned this before...

does anyone remember when Color TV first came out up until about 1967 or so larger television dealers had those separate rooms that were separated from the main sales floors that contained the color TV's? Usually they were very dark and when you opened the door to go inside of one you were bowled over by the smell of ozone from the electronics of the sets. All the sets would be on so you could compare the pictures.
My parents mostly had Zenith sets, we got our first one in 1964 right after Zenith began making the rectangular screen. But before they bought that one they looked at Admiral (almost bought one), Sylvania, RCA, and Magnavox. The dealer also had Motorola sets too. The reason my parents didn't go with Admiral was the controls were on a tilt out panel. It tilted out to change the channel and adjust the picture then it would tilt back into the set for a nice clean look on the front. The salesman told my Dad that those sets often had problems with the tuners because of all the movement and kids slamming the panel back into the set.

My crazy family. We had an aunt that bought a 1962 Zenith color fishbowl set. It had a nice picture on it too. On top of that set she had a 19 inch B&W set. She only used the color set for color shows and watched the B&W shows on the smaller set. I asked her why she did that, and she told me she didn't want to use up all the color in the Zenith set.

When my parents first got their first Zenith set they thought something was wrong with it. The picture was ghosty and snowy.
They had connected it up to the outdoor antenna mounted on the chimney. That antenna had probably been up there since 1955 or so. After multiple service calls the repairman told them that they have to invest in a new antenna. It would have been around $90.00 installed. They thought that was exhorbarant. So they just put up with the bad picture. About a year later I went out and bought a Winegard Color TV antenna and some 75 Ohn cable to replace the rooftop antenna. The picture miraculously improved. But since we lived north of O'hare airport we'd get a picture flutter whenever an airplane flew nearby.
 
"We had an aunt that bought a 1962 Zenith color fishbowl set. It had a nice picture on it too. On top of that set she had a 19 inch B&W set. She only used the color set for color shows and watched the B&W shows on the smaller set. I asked her why she did that, and she told me she didn't want to use up all the color in the Zenith set."

In a way, this makes sense--prolong the life of the picture tube. And I suppose (in the tube era) there were probably more regular tubes in a color TV set, too.

Many years ago, The New Yorker had a cartoon showing one couple with a color TV, and a black and white set they used when watching colorized movies.
 
"We had an aunt that bought a 1962 Zenith color fishbowl set. It had a nice picture on it too. On top of that set she had a 19 inch B&W set. She only used the color set for color shows and watched the B&W shows on the smaller set. I asked her why she did that, and she told me she didn't want to use up all the color in the Zenith set."

In a way, this makes sense--prolong the life of the picture tube. And I suppose (in the tube era) there were probably more regular tubes in a color TV set, too.

Many years ago, The New Yorker had a cartoon showing one couple with a color TV, and a black and white set they used when watching colorized movies.
 
Color Peacock

I remember always in the 50s the NBC peacock before the price is right.It was always live in color and saved on bw film.The Red Skelton show was broadcast in color in 1956,but again saved in bw,some of the dvds now of shows in that era are bw because of that.The Supermans filmed from 1955to1957 or the end of the run where all filmed in color,as well as the Lone Ranger.The color picture of the NBC tone instrument was pre 1956.If you notice the T,V. shows from the 60s,the color is so pretty and bright,they really used good film and color processing so they looked really nice for broadcasting.
 
Whirlcool, I remember the color tv rooms in the store

The chief place I used to see color tv's on display was in the tv section of the cavernous White Front Department Store (really more like an early K Mart, but a bit higher end) in San Diego, because the store was close to our house. They did have the color sets in back with dimmer lighting. However, because the room was not walled off and was part of a huge warehouse store, I never smelled the ozone. Most of the sets were about $500 except for a few small portables like the GE Portacolor which broke the price barrier at $200. While the price was reasonable, it was too small for a family room. As a result, my parents held off and wound up getting the first tv in a raffle. I doubt however if they would have waited until 1973, the year they BOUGHT their first color set as a replacement to the GE, which died.

My parents weren't all that behind the times. They had a 19 inch B&W Zenith with Space Command remote control in their bedroom, from the early 60s when this was high end technology. THey also subscribed to cable tv c. 1965, when cable was basically a master antenna to pull in far away stations. When they remodelled the living room c. 1966, they put in a high end stereo (McIntosh receiver and amp) and upgraded the rooftop antenna to a rotor unit so they could get the best possible FM reception.

Cable tv allowed us to receive all of the San Diego and LA area stations, but with one catch. The cable company was required to block the three major network signals from LA if the SD station was showing the same programming, to require you to watch the local advertisers. Talk about freedom of the airwaves! Also, I believe later there was a cap on the maximum number of nonlocal stations they could pull in at any one time (this cap was upheld in the courts).

THe problem was, sometimes they left the blocks on by accident outside of prime time, and if the LA station was showing a non-network show that you wanted to watch and it was blocked, you were shit out of luck UNLESS you had a rotor antenna on top of your roof!

We had both the antenna and the cable hooked up to the color tv by an A/B switch, so when cable blocked a station, usually we could pull it in after adjusting the rotor antenna control for the best signal.
 
How did we ever get on without cable or satellite TV?

It seems like so distant a memory when one only had 3 or 4 television stations to choose from. Now even with basic cable or satellite you get at least 35.

The older NBC Peacock I linked to was from 1959, I think it came out in 1958 or so. The newer peacock that we are all familiar with debuted in 1961. The music was not as dramatic as the previous one was.
 

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