Favorite Movie or TV Kitchen

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Kenmore DW In An Upscale Home

Back then Kenmore's DW's meant quality, good to excellent performance at a reasonable price. Many families one knew back in the day regardless of how well the husband was doing would have went in for "Miele" or some such. I mean even with being "well off" that generation drove Caddy's and Lincolns not Mercedes Benz and BMW.
 
Just to clarify

I never thought that the exterior of the house was a movie set, just the kitchen and other interior shots.

I have often thought how much fun it would have been to been employed as a set designer or props "locator" (I cannot think of a better word) doing the like of the Herclue Poirot stories.

Al
 
Jeff:

"Sandy, the film's studio (or maybe Doris Day, who's still alive) could explain why these sets were built."

Actually, Jeff, actors often don't know why things in a movie are done the way they're done - their job is to act, not to concern themselves with production stuff. The only time that usually happens is when the actor who is a genuine star has a concern about a set, like Barbra Streisand often does. Her film contracts always stipulate that she is to be photographed from her left side, because she feels her left profile photographs better than her right one. That means sets have to be designed - or in the case of locations, chosen - with that in mind. Babs cuts no slack on the requirement, either.

Warners is unlikely to have any answers, either - this is a movie nearly sixty years old, and the production records are long scattered. The answer, if it still exists, would be in the archives of the Academy of Motion Picture Arts and Sciences, or one of the university archives to which Warners has donated obsolete records over the years. I've dealt with Warners for articles several times in my work, and what they don't have is amazing. When you think about it, it makes sense - they're in business to make movies, not keep historical records. At least they've donated their old stuff to institutions who care for it.
 
Alan:

"Another Doris Day kitchen from the pre '59 era is 1957's "Pajama Game" in the house she shared with her dad."

Alan:

That kitchen is very nice work. Again, it's a set, very beautifully detailed to represent the character's lifestyle. Doris plays a garment factory worker, so the kitchen is downscale. Warners' prop department outfitted the set with very accurate touches, such as the farmhouse sink, the old range and its match safe, and a lot of small items. It's also raining during this number ("Small Talk"), which presents a host of challenges on a soundstage, from plumbing to electrical to lighting.

In this shot, the range is interesting, because the seemingly solid wall behind it is a "wild" or "jockey" wall, removable to permit shots from the point of view behind the range. A significant portion of the scene is shot from that POV.

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Perhaps the backlot schedule was too tight and they needed to film in the winter? Didn't Sinatra get the ending rewritten for him?
 
Davey:

I can't say if those factors you mention are possibilities. By 1954, major Hollywood studios were more desperate to use their capacity than anything else, because TV and the Justice Department's divorcement of studios from theatre chains had heavily damaged box-office, meaning many fewer movies were being shot than in former years. A fully-booked backlot was the stuff of dreams by then.

I don't know the shooting dates for the film (IMDb doesn't have any info, either), but it was a Christmas 1954 release, which means principal photography had to have been finished at least some months earlier. Young at Heart wasn't just a melodrama - it was a musical, and it takes a lot of post-production time to dub in the music, as well as all the other post stuff that has to be done on any movie (a later, much more elaborate, Warner's movie, 1964's My Fair Lady, took over a year in post). That makes me think it could have been shot that spring or summer. Doris's other movie that year was Lucky Me, which wrapped in February of '54, so that also suggests a spring or summer shoot for Young at Heart.

Hard to know without research. P.S.: You're absolutely right about the ending. In the original script, Sinatra's character, Barney Sloan, died after his self-inflicted "auto accident." Sinatra didn't necessarily mind dying in a movie - he'd done it before. But he didn't think it was right for this particular movie, and used his clout to get the ending rewritten. [this post was last edited: 12/19/2012-16:45]
 
just wanted to sneak this in...

I know several other members have mentioned the kitchen on "Green Acres." I don't remember that much dialog from the series but for some reason I do recall this...

It's Oliver's Birthday and Lisa wants to prepare him something special for the day. She's thumbing through The Royal Hungarian Cookbook and tells her husband "here's something that would be good, Stewed Elephant." Oliver remarks "that's ridiculous, it would be too much work!" Lisa replies "oh no, it's very easy, you just drain the moat, fill it with champagne, toss in the elephant and in 2 hours he's stewed to the tusks." Why I remember that I really don't know.

I guess we all loved the wonderful and glamorous Eva Gabor.

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Thanks for that insight Sandy, Pajama Game had such a homey overall look to it, from the factory to the tidy Victorian homes on her street.  We had a farmhouse sink in our rented 1935 Cape Cod in Lynchburg, Virginia. I didn't care for it, or the 1935 bathroom, our one door Frigidaire fridge or the Norge apartment range. I did think our '58 BOL GE Filter Flo washer was spiffy. The house was totally updated according to recent real estate notes.

 

But back to movie kitchens, the one in the New York City apartment in "Please Don't Eat The Daisies" was nice looking, I thought. The kitchen in the '59 movie "Gidget" was disgusting, no detail, it was just thrown in there for a brief scene. And Bewitched nuts will notice Gidget's house was backward and the model for the Stephens' house. I believe I saw Alice Pierce running around in a Dennis The Menace episode with the Stephens' house in the background. Finally, Donna Stone's new kitchen in the second season was really nice.
 
Laundress, D&M dishwashers were never known for quality or anywhere near excellent performance. They were middling machines and prone, like so many D&M dishwashers to rusting in the sump area. If the machine had a high temp wash option, it could turn out clean dishes with the extra scrubbing time, but without that option, mneh.

If the plumber's family was sufficiently Old World, the women might have refused to use a dishwasher no matter what the brand. IF it was a real plumber's kitchen, you would expect some vintage KitchenAid or maybe something else old like an Apex just to show it off in the early days of domestic dishwashers and create more business. If you heard him give the estimate on plumbing to the young home owners, the man knew how to create more business.
 
Rosse Castorini

Wore Chanel suits and so forth, so while "old world" in some respects she knew and enjoyed the trappings of her husband's "sucess" in the new world. *LOL*

Lots of old school Italian, Irish, Russian, Jewish, etc... housewives one knew growing up had dishwashers. Will give you some didn't or they were installed/purchased by say the husband or children and largely sat unused.
 
You know what I just noticed about the kitchen in the Pajama Game is the trendy "Tiffany" lamp which were coming into vogue then (they always remind me of the House on the Rock).

OK, Dexter, I want the Royal Hungarian Cookbook! I guess it'd be in German, yes? I really wish Eva had been more things (I can only think of G.A. and Gigi).
 
Davey:

Eva Gabor is also in The Last Time I Saw Paris, with Van Johnson, Elizabeth Taylor and Donna Reed. This movie is public domain (MGM didn't renew the copyright properly when it was time to do that), so inexpensive DVDs of the film are easy to find.

Trivia: Sharp-eyed viewers will notice that in one scene, Donna Reed wears a fox-trimmed coat originally designed for Joan Crawford in Torch Song. MGM was in a little trouble in 1954, and they were cutting corners here and there. They had always recycled wardrobe, but they hadn't been recycling it directly from one star to another, with no changes - they had always "demoted" star wardrobe to supporting players, and restyled it.
 
Oh, I'll have to keep an eye out for that, I just "love" Van Johnson (I first remember seeing him in something with Lucille Ball).

Good thing it wasn't Joan wearing hand me downs, she was a STAR!
 
Davey:

Well, Donna Reed was already a star at that time, too - she'd won a Best Supporting Actress Oscar only the year before for From Here to Eternity. That's what made the wardrobe recycling so weird - I don't know of another instance of MGM doing that.

By the way, The Last Time I Saw Paris is probably no one's idea of a truly great movie, but it does have its moments, and one huge plus - Elizabeth Taylor was more beautiful in it than in anything else she ever did, in my opinion.

OTOH, it also has Sandy Descher playing Van Johnson's daughter. Descher was the strangest movie moppet ever - like aliens built her after seeing a picture of an Earth kid. You'll see what I mean when you see the picture.
 
This is a promotional movie but it would be my favorite kitchen! (from 1966, not 1962)
 
 
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from of course "the Munsters"...

Lilly had an interesting kitchen, almost as many cobwebs as mine. Like Bewitched and so many others, The Munsters was fun...it took you out of yourself for half an hour.

You always knew that under all that makeup was the beautiful and glamorous Yvonne De Carlo.

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